Shivkumar Sharma also created a new way of playing it so that the notes and sound continuity could be maintained for a long time.
TABLA BEATS BHIMSEN FULL
He increased its range to full three octaves and also created a technique for smoother gliding between music notes in order to imitate human voice quality. Shivkumar Sharma modified the folk instrument in order to make it more suitable for classical music. Shivkumar Sharma has truly been successful in giving the Santoor the position of a popular classical instrument. Today, Shivkumar Sharma and the Santoor are synonymous. Pandit Uma Dutt Sharma gave the responsibility of taking the Santoor on the world stage to his son Shivkumar after extensive research on its possibilities. It was used to accompany a particular type of singing known as Sufiana Mausiqi. The Santoor was known as the Shata-Tantri Veena in earlier days. Shivkumar Sharma learnt the tabla and also vocal singing before dedicating himself to learn the Santoor extensively. He was a disciple of Pandit Bade Ramdasji of Banaras. He was renowned player of the instrument and also a vocalist.
He was introduced to the Santoor by his father and teacher, Pandit Uma Dutt Sharma. Shivkumar Sharma was born on 13th January, 1938 in Jammu.
Know his life history in this short biography of Pt. Reaching at this level in life was not easy for him and it is because of the determination of Shivkumar Sharma that the Santoor is a popular classical instrument. The santoor is essentially a folk instrument that originated in the Kashmir Valley, which was given the status of a classical instrument due to the persistent efforts of Pandit Shivkumar Sharma. The Santoor is a trapezoid-shaped hammered dulcimer often made of walnut wood and has 72 strings, which are struck with two delicate carved wooden mallets. Pandit Shivkumar Sharma is a very famous classical musician who has acquired international fame by playing the classical instrument, Santoor. Bhairav appears in the Ragmala as the husband of Bhairavi and four other raginis.Īroha : Sa Re(komal) Ga Ma Pa Dha(Komal) Ni SaĪvaroha : Sa Ni Dha(komal) Pa Ma Ga Re(komal) Sa Raga Bhairav is also sometimes linked to raga Bhairavi, reflecting the goddess Bhairavi's association as consort of Shiva. There are several variants and ragas derived from the same scale, including Ahir Bhairav, Bairagi, Ramkali and Jogiya. Compositions in this raga, 99 hymns by Guru Nanak, Guru Amar Das, Guru Ram Das and Guru Arjan, appear on 43 pages from pp.
TABLA BEATS BHIMSEN SERIES
It appears in the Sikh Guru Granth Sahib as the twenty-fourth in the series of 31 ragas. Today it is the head raga for one of the ten Hindustani modes, called that. The Raga Sagara (circa 8th century) describes the raga as awe-inspiring, expressing the "fulfilment of the desire to worship." Mesakarna (1509) calls it a morning melody of the autumn season, one of awesome grandeur. It is traditionally performed before sunrise.īhairav was for centuries considered to be the most important Hindustani raga, though its modern form, with flattened second, differs from that described in the old texts. Bhairav has its name from Bhairava, a name of Shiva. It corresponds to Mayamalavagowla, the first raga taught to beginners in Carnatic music. Bhairav, or Bhairon, is a raga in Hindustani classical music.